Nicola is a sound designer/composer for theatre, film and commercial media across the UK, US and Asia. As a performer, she currently plays for SiX (West End) and is a former cast member of STOMP! (West End/World Tour). She is also an Artistic Associate of the King’s Head Theatre and a BFI x BAFTA Crew Member.

 

She has performed at the Royal Albert Hall, the Royal Festival Hall and the Shakespeare's Globe as a percussionist, and holds a MMus in Composition from King's College London. Additionally, she is a Composer and Musical Director attached to British Youth Music Theatre UK. She conducted the London Film Music Orchestra playing her original soundtracks (accompanied with live screenings) in 2017, and premiered her concerto at the Queen Elizabeth Hall in 2019. This concerto premiered in Shanghai in September of the same year.

3x Off West-End Awards Nominee (Sound Design)

Download full CV (Updated January 2020)

Press

Full feature in The Stage, 4 September, 2018

https://www.thestage.co.uk/features/interviews/2018/sound-designer-nicola-chang-i-want-to-create-theatrical-experiences-for-people-who-wouldnt-usually-experience-them/

“12 theatre faces to look out for in 2020” in WhatsOnStage, 27 December 2019
https://www.whatsonstage.com/london-theatre/news/12-stage-stars-2020-important_50618.html?utm_source=twitter&utm_medium=social&utm_campaign=27december2019&fbclid=IwAR1GegbqBE6Y_OKqzyv1oqpGkeHRLTHfRgmLz482AuW9Semr5cNSMXnvvdA

 

"Cleverly-worked, grating jazz-based sound design from Nicola Chang."

★★★★★ ActDrop on Finishing the Picture

https://actdrop.uk/reviews/review_listing?id=6430

"The ultimate elevation of the show comes in the shape of sound designer Nicola Chang, who sets the second act to a jazz tune."

★★★★ Broadway World on Finishing the Picture

https://www.broadwayworld.com/westend/article/BWW-Review-FINISHING-THE-PICTURE-Finborough-Theatre-20180615

"... the almost visionary second half comprises a series of duets for voice and jazz combo. The sax in sound designer Nicola Chang’s unsettling jazz track rises to hysterical crescendos, conjuring Kitty fighting her corner."

★★★★ The Jewish Renaissance on Finishing the Picture

http://www.jewishrenaissance.org.uk/blog/reviews-theatre-finishing-the-picture

"...the second act propels Finishing the Picture into another league. Essentially a series of monologues with each character attempting to converse with Kitty, a pulsating cymbal jazz beat from sound designer Nicola Chang brings with it a sense of urgency, the occasional trumpet howl substituting for cries of despair from the unseen Kitty."

★★★★ The Reviews Hub on Finishing the Picture

https://www.thereviewshub.com/finishing-the-picture-finborough-theatre-london/

"Her responses are conveyed through the anarchic riffs of an expressive sax behind which a hectic snare skits to hepped-up time. Its effect is unsettling and submerges the audience in the frantic rhythms of Kitty’s own mental whir – something words alone can’t quite convey."

★★★★ The Arts Desk on Finishing the Picture

https://theartsdesk.com/theatre/finishing-picture-finborough-theatre-review-projections-realm-mirrors

"Sound (is) used exceptionally well during the second act. Throughout the delivery of the monologues, a high tempo, almost manic, jazz piece plays, conveying a sense of urgency."

★★★★ The Spy in the Stalls on Finishing the Picture

https://thespyinthestalls.com/2018/06/finishing-the-picture-finborough-theatre/

"A skilful use of music and sound."

★★★★ The Express on Finishing the Picture

https://www.express.co.uk/entertainment/theatre/978894/theatre-reviews-prime-miss-jean-brodie-finishing-picture

 

"(The) production becomes more interesting in the second act, in which the red walls take on the mood of a madhouse and Nicola Chang’s discordant sound design speaks on Kitty’s behalf in response to her colleagues’ attempts to reason with her."

★★★ The Stage on Finishing the Picture

https://www.thestage.co.uk/reviews/2018/arthur-miller-finishing-picture-review-finborough-theatre-london/

"Lighting and sound design by Natasha Chivers and Nicola Chang [...] play a huge role in creating the almost sterile nature of this "fun-loving" office."

★★★★★ Within Her Words on White Pearl

https://www.withinherwords.co.uk/home/white-pearl-by-anchuli-felicia-king

 

"Nicola Chang’s electropop interludes match the too-bright office beat for beat."

Exeunt Magazine on White Pearl

http://exeuntmagazine.com/reviews/review-white-pearl-royal-court-theatre/

 

"The technical team also satisfies the strictest spectators when it comes to lightning, music, costumes, stage management…. helping to build up the urgency of the story."

Alt A Review on White Pearl

https://alt-africa.com/2019/05/20/review-white-pearl-at-royal-court-theatre/

 

"The technical aspects of the play are spot on, too. The lighting, sound and set are so cleverly pieced together to string separate snippets of a family’s life that the general public are rarely exposed to."

★★★★★ The Feminist Fringe on Dangerous Giant Animals

https://feministfringereviews.wordpress.com/2018/08/22/review-dangerous-giant-animals-amy-king/

“The soundscape contributed efficiently to the atmosphere of anxiety [...] the show was aiming for. Mostly consisting of disjointed noise and recycled train announcements it was a small but hugely beneficial addition. The sound design in many ways leads to the gradual unravelling of the story, providing insight into the story’s geography as well as the state of Harper’s character’s mind.”

★★★★★ London Student on Rattled

http://londonstudent.coop/rattled-at-the-old-red-lion-theatre-a-harrowing-but-sensational-work-of-art/

 

"Sound design from Nicola Chang ebbs and flows with the story..."

★★★★★ London Pub Theatres on Rattled

http://www.londonpubtheatres.com/rattled-review/4594548124

"The two actors work well to maintain the sinister atmosphere, helped by the foreboding sound design."

★★★★ ½ The Reviews Hub on Kompromat

https://www.thereviewshub.com/kompromat-the-vaults-london/

"Nicola Chang’s sound design is reminiscent of the works of Edgar Wright, including one specific Scott Pilgrim-esque moment. It’s startling just how assured it is – unforgivingly funny, rapidly paced and minutely observed."

★★★★ The Upcoming on Little Baby Jesus

https://www.theupcoming.co.uk/2019/10/23/little-baby-jesus-at-orange-tree-theatre-theatre-review/

 

"Nicola Chang's sound design [...] compliments the ebb and flow of the production, with an inventive soundtrack of loud music and subtle sound effects."

★★★★ Broadway World on Little Baby Jesus

https://www.broadwayworld.com/westend/article/BWW-Review-LITTLE-BABY-JESUS-Orange-Tree-Theatre-20191023

 

"Nicola Chang (Composer and Sound Designer) has a strong influence on proceedings, helping a stage with essentially no set or props to feel full and greatly atmospheric at the appropriate times. The music works well to give the feel of the change in setting and character for each actress."

Mark Aspen on 10

https://markaspen.wordpress.com/2019/03/19/10/

 

“Nastazja Somers’ production is high on atmosphere, Nicola Chang’s almost hypnotic sound design moulding the mood.”

★★★★ There Ought to be Clowns on 10

https://www.oughttobeclowns.com/2019/03/review-10-vault-festival.html/

"Director Nastazja Somers has created a strong framework on which to base the strands of the women’s stories and the music, sound and lighting, by Nicola Chang and Rajiv Pattani, support and complement the action beautifully."

​★★★★ The Spy in the Stalls on 10

https://thespyinthestalls.com/2019/03/10/

 

"There's a first-rate soundscape from designer Nicola Chang that appropriately underscores the piece, progressing from an almost imperceptible hum that builds in line with Ashley's anxiety and Ollie's excitement and, later, anger."

★★★★ ActDrop on Germ Free Adolescent

https://actdrop.uk/reviews/review_listing?id=8767

 

“Nicola Chang's sound design offers a pulsating background drone that works well in drawing us into the world of teenage angst that Mitchell has established.”

★★★ Broadway World on Germ Free Adolescent

https://www.broadwayworld.com/westend/article/BWW-Review-GERM-FREE-ADOLESCENT-The-Bunker-20191103

 

"There is a beautiful uniqueness to Tuyen Do’s play. It is full of Vietnamese expressions and culture (...) elevated by the stunning set by Moi Tran and sound by Nicola Chang."

★★★★ The Upcoming on Summer Rolls

https://www.theupcoming.co.uk/2019/06/25/summer-rolls-at-park-theatre-theatre-review/

 

"Nicola Chang’s sound design captures both cultures in her evocative score."

★★★ The Gizzle Review on Summer Rolls

http://www.thegizzlereview.com/2019/06/summer-rolls-park-theatre.html

 

"Nicola Chang’s sound design is fluid, unifying and atmospheric, conveying both the mood of Vietnamese culture and the tension of the scenes."

★★★ A Younger Theatre on Summer Rolls

https://www.ayoungertheatre.com/review-summer-rolls-bristol-old-vic/

 

"Sound designer Nicola Chang creates a telling mix of Vietnamese pop and evocative instrumentation."

★★★ The Arts Desk on Summer Rolls

https://theartsdesk.com/theatre/summer-rolls-park-theatre-review-racism-laid-bare-mixed-results

 

​"Nicola Chang amps up the underlying anxiety with an assertive sound design that accompanies the couple through all the signs of toxic co-dependency and emotional abuse."

★★★★ Broadway World on Starved

https://www.broadwayworld.com/westend/article/BWW-Review-STARVED-The-Hope-Theatre-20190719

 

“The space is dingy and claustrophobic. Nicola Chang provides a dull, ominous underscore that plays throughout, adding to the anxiety.”

★★★★ The Crumb on Starved

https://www.the-crumb.com/post/review-starved-the-hope-theatre

 

"Strong movement direction (...) underscored by Nicola Chang’s resonant slow-tempo sound design, beautifully illustrate(s) the passage of time"

★★★ The Stage on Starved

https://www.thestage.co.uk/reviews/2019/starved-review-hope-theatre/

 

"The acting space (is) made vibrant by Nicola Chang’s pounding score."

★★★★ Musical Theatre Review on No Man's Land

http://musicaltheatrereview.com/no-mans-land-youth-music-theatre-uk-square-chapel-arts-centre-halifax/

"Stupendous sound design from Nicola Chang evoke(s) a world changing out of all recognition."

★★★★ The Wee Review on Nine Foot Nine

https://theweereview.com/review/nine-foot-nine/

 

“Nicola Chang’s brilliant sound design effectively [...] conveys magnitude [...] providing context to global events happening outside the play’s narrative, which is focused on a singular family.”

The Play's the Thing on Nine Foot Nine

https://theplaysthething.co.uk/2019/07/03/nine-foot-nine-home-manchester-theatre/

"The... impressive lighting and sound (from Ben Jacobs and Nicola Chang respectively) transforms an essentially empty stage into something incredibly atmospheric and menacing."

★★★★ Stage Review on Lord of the Flies

http://www.stagereview.co.uk/theatre-review/lord-of-the-flies-review-2/

"This stage adaptation of Lord of the Flies is made emotional and thought-provoking by the unified strength of the performances, music, lighting and choreography."

★★★★ Everything Theatre on Lord of the Flies

http://everything-theatre.co.uk/2018/03/lord-of-the-flies-greenwich-theatre-review.html

"Mention must also be given to Nicola Chang’s smart, appropriate and seriously atmospheric sound design."

★★★★ The Review Chap on An Enemy of the People

https://www.thereviewchap.blogspot.com.thereviewchap.com/2019/01/an-enemy-of-people-essential-experience.html?spref=tw

“Nicola Chang (provides) the scarily authentic soundtrack of angry townsfolk at that public meeting.”

★★★★ The Jewish Renaissance on An Enemy of the People

https://www.jewishrenaissance.org.uk/blog/an-enemy-of-the-people

"With a brilliant underscore permeating every moment of the show and well-timed moments of both beauty and horror, this show is far from poisoned; its salubrious."

★★★★ Pocket Size Theatre on Poisoned Polluted

http://www.pocketsizetheatre.com/2019/11/review-poisoned-polluted-at-old-red-lion.html?m=1

 

"Sound (Nicola Chang) was very well designed and congruous with the performance. On the whole, theatrical components were more than satisfactory."

★★★½  Theatre Reviewer Blog on Poisoned Polluted

https://theatrereviewerblog.wordpress.com/2019/11/11/review-poisoned-polluted-old-red-lion-theatre-london/

 

"As usual the sound design by Nicola Chang is exceptional. At first you don’t notice how she regulates the intensity of street noise outside the hotel window to help ratchet up the tension but, half way through, her chillingly ominous door locking sound is the first indication we get that this isn’t just two guys chatting about writer’s block and nice clothes."

★★★ London Box Office on For Reasons that Remain Unclear

https://www.londonboxoffice.co.uk/news/post/review-for-reasons-that-remain-unclear

 

“A singular drum and a piercing train whistle [reach] crescendo during the play's emotional climaxes… Nicola Chang's deft sound design has much to offer.”

★★★ WhatsOnStage on The King of Hell’s Palace

https://www.whatsonstage.com/london-theatre/reviews/hells-palace-hampstead-cowhig_49886.html

 

"Nicola Chang’s sound design [is] subtle and sophisticated"

★★★ ThisWeek Culture on Algorithms

https://threeweeksedinburgh.com/article/algorithms-sadie-clark-laura-elmes-productions/

 

"The intensity of Felicity’s panic attacks is infectiously communicated through Nicola Chang’s sound design, an unsettling soundscape of buzzing, clicking, whispering and ring tones."

★★★ BritishTheatre.com on Lost in Thought

https://britishtheatre.com/review-lost-in-thought-edinburgh-fringe/

"The fusion of American and Indian cultures is imprinted on Robbie Butler’s projection and seeps through Nicola Chang’s sound design"

★★★ Miro Magazine on There or Here

http://www.miromagazine.com/theatre/review-park-theatre-nayak/

Credits (updated Jan 2020)

Selected Credits

Miss Julie adapted by Amy Ng (Chester Storyhouse, Chester)

Funeral Flowers by Emma Dennis-Edwards (Roundhouse Camden/Hackney Empire)

Wild Goose Dreams by Hansol Jung (The Ustinov, Theatre Royal Bath)

Little Baby Jesus by Arinzé Kene (Orange Tree Theatre, London)

The Ice Cream Boys by Gail Luow (Jermyn Street Theatre, London)

The King of Hell’s Palace by Frances Ya-Chu Cowhig (Hampstead Theatre, London)

Death of Ophelia by Stanislaw Wyspianski (Shakespeare’s Globe, London)

Summer Rolls by Tuyen Do (Park Theatre, London; Bristol Old Vic)

White Pearl by Anchuli Felicia King (Jerwood Main Theatre, Royal Court)

The Tempest by William Shakespeare (Orange Tree Theatre, London)

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April/May 2019

Other Credits

Garden of Words by Makoto Shinkai/CoMix Wave Films (Park Theatre, London)

Humane by Polly Creed (Pleasance Theatre, Islington)

Invisibles by Lola Lagos (VAULT Festival 2020)

V&V by Misha Pinnington (VAULT Festival 2020)

Hidden in Screen 无形的和谐 by Daniel York Loh (Southbank Centre, London)

Tin Hau Temple 天后廟 Promotional Video for JA Design Architects Ltd.

Seafruit by Alexander O’Shaughnessy

The Glass Will Shatter by Joe Marsh (Omnibus Theatre, Clapham)

Fracture/d Frame/s by Motion Dance Collective

Poisoned Polluted by Kathryn O’Reilly (Old Red Lion Theatre, London)

Germ Free Adolescent by Natalie Mitchell (Bunker Theatre, London)

Concerto for Ping-Pong and Piano Trio (International Ping Pong Festival, Shanghai, China)

Kensington Karavan Short Play Festival by Small Truth Theatre

ANAHERA by Emma Kinane (Finborough Theatre, London)

Collapsing Creation by Arthur Meek (Brockley Jack Theatre)

Extinction – BYMTUK Dance Connections 5 (Rhoda McGaw Theatre)

If This is Normal by Lucy Danser (Zoo Venues, Edinburgh Fringe)

Starved by Michael Black (Hope Theatre, London)

Algorithms by Sadie Clark (Soho Theatre, London; Pleasance Edinburgh Fringe)

Wonder Winterland by Sami Ibrahim (OSD Showcase at Soho Theatre)

Wherever You Find Me by NoFixdAddress (Actor’s Centre, London)

Trying to Find Me by Ann Akin (PULSE Festival/Latitude)

Boundaries by Danielle Saunders

You Wouldn’t Adam and Eve It by Lauren Rutherford

Pool (no water) by Mark Ravenhill (OSD Showcase at the Royal Court)

Lord of the Flies by William Golding (Greenwich Theatre, London)

10 by Lizzie Milton (VAULT Festival 2019)

Dangerous Giant Animals by Christina Murdock (VAULT Festival 2019)

CEEC by Lemon Animatic for China Energy Engineering Corporation

From Shore to Shore by Mary Cooper (Manchester Royal Exchange/UK Tour)

RATTLED by Rachel Harper (Old Red Lion Theatre, London)

Pool (no water) by Mark Ravenhill (Oxford School of Drama)

The Moon is Warmer than the Sun by Whiskey Chow (Artsadmin, London)

Inside Voices by Nabilah Said (VAULT Festival 2019)

Juniper and Jules by Stephanie Martin (VAULT Festival 2019)

Kompromat by David Thame (VAULT Festival 2019)

Bounce Beat (Queen Elizabeth Hall, Southbank Centre)

Just Shenzhen by Lemon Animatic for Shenzhen Government

An Enemy of the People by Arthur Miller (Union Theatre, London)

The Snow Queen by The Theatre Shed Community Theatre

All That Scratch by Alex Jackson and Charlie Norburn (The Other Palace)

How to Bury Your Sins by Jessica Martin

Beauty and the Beast by Robyn Grant & Daniel Elliot (King’s Head Theatre)

High Ridin' by James Hogan (King's Head Theatre, London)

Pomegranate Season by Victoria Cano (Cockpit Theatre, London)

No Man’s Land – BYMTUK Dance Connections 4 (Square Chapel, Halifax)

Lost in Thought by Lucy Danser (Edinburgh Underbelly; Theatre 503)

For Reasons that Remain Unclear by Mart Crowley (King’s Head Theatre)

Dosa Shtastie [A Dose of Happiness] by Yana Titova

Dangerous Giant Animals by Christina Murdock (Tristan Bates Theatre, Edinburgh Fringe)

Free and Proud by Charles Gershman (King’s Head Theatre, Edinburgh Fringe)

Kensington’s Game Changer by SPID Theatre Company

Static by Tiiu Mortley (Talawa Firsts, Rich Mix)

Finishing the Picture by Arthur Miller (Finborough Theatre, London)

Fight Night by Giorgio Miroflor

Nine Foot Nine by Alex Wood (Bunker Theatre, Edinburgh Assembly)

The Free9 by In-Sook Chappell (National Theatre, London)

#metoo by Maris Salumets (Mix30, New York City)

Nyctophobia by Saurabh Fuke

Tom and Bunny Save the World by Fat Rascal Theatre

The Lord of the Flies by William Golding (Greenwich Theatre)

Postcards from the 48% by David Wilkinson

Breakfast with the Boss by Vox Media

There or Here by Jennifer Maisel (Park Theatre, London)

Dean by Sonya Hale (Arcola Theatre, London)

A Hundred Words for Snow by Tatty Hennessy (Arcola Theatre, London)

Woman Caught Unaware by Annie Fox (Arcola Theatre, London)

Strike It Lucky by Charlotte Griffiths

The Bullhorn Evangelist by Philip Holt (Stockwell Playhouse)

The Bearded Bloke by Danielus Gedvilas

Always Chasing Love by Jadolphus Fraser

Hole by Joe Belzberg

Lodgers by eCinema Live

The Community by Gaël van den Bossche (Lion and Unicorn Theatre)

Man Friday by Grey Paper Crane Productions

The Secret Life of Disney Princesses by The Hard Comedy

Connected by Bhanita Mistry-Russell

Ease on Down by The Motion Dance Collective

Stroke by Jiani Zhao & Emanuele Romano

Fragments by Oli Greck

The Oxnard EDD Shooting Massacre by Andrew Jimenez

Thirty-Three by Michael Booth (Leicester Square Theatre, West End London)

I Am Depression by Wazza Yadi

Man Friday (Trailer) by Grey Paper Crane Productions

Jumping Borders by Joseph Tindle

A Tribute to My Stupid Dad by Vijay Sridharan

The Perfect Dinner by Olesia Saveleva

Elements 101 by Remel Chinn

珠海華發藝術館 for JA Design Architects Ltd.

海口國際生命科學城 for JA Design Architects Ltd.

The Bird in the Window by Cameron Perry & Tulsi Behl

Divertimento for Chamber Orchestra

Vinyl Countdown by Henry Wright

樓蘭古城 for Joanlin Au Design Limited

YADA by Gbemisola Ikumelo

Alchemical Door #4 by ImmerCity (Babel Studios, London)

Horror Kittens by Daniel Sheridan

MAELSTRØM by Ellis Kerkhoven/Youth Music Theatre UK (Lemon Tree Theatre, Aberdeen)

Alchemical Door #3 by ImmerCity (Babel Studios. London)

New Message (Trailer) by Matt Mrozek

All in Good Time by Patrick West

Marco and Polo by Iris Sunniva Inguito

Blood Will Have Blood by Clancy Flynn (Brighton Fringe Festival)

UNITY (Michael Jackson Tribute Album) by Tony Succar

New Message by Matt Mrozek

重慶溜冰場 for Rink Limited Hong Kong

The Alchemical Door #2 by ImmerCity (Babel Studios, London)

Short Piece for Quintet

The Alchemical Door #1 by ImmerCity (Babel Studios, London)

Five Short Pieces for Violin and Viola

The Den by Gbemisola Ikumelo

The Run by Libby Cornelssen

The Plague by Athena Chow

Lilt

Ohji’s Story by Oh Ji-Hyun

The Lark by Jean Anouilh (Rose Theatre, London)

256 Postcards Ago by Michelle Vinall

After Dessert by Tufts University Television

The Children’s Hour by Lillian Hellman

寧夏沙漠玫瑰酒店for JA Design Architects Ltd.

To the Caves for JA Design Architects Ltd.

Rise

mélange

走西口for Joanlin Au Design Limited

One Week by Jared Bronen

Chinese International School Dancer’s Showcase

Four Minute Warning by Henry Hsiao

Chant for Marimba

Bad Romance by Henry Hsiao

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Corporate Video – Music

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Performance Art – Sound Design

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Musical Director & Composer

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Podcast – Music & Production

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Feature Film – Music Assistant

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Short Film – Music

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Art Installation – Sound Design

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Cast Recording – Producer

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Documentary – Assistant Composer

Podcast – Music

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Short Film – Music

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Film Trailer – Music

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Animation – Music & Sound Design

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Short Film – Sound Editing

Contemporary Classical

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Album – Vocal Underscore Track

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Classical

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Contemporary Classical

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Contemporary Chinese

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Game – Music

TV Series – Music

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Corporate Trailer – Music

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Contemporary Classical

Contemporary Classical

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Short Film – Music

Commissioned Composer

Short Film – Music

Marimba Solo

Short Film – Music

July 2020

April 2020

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March 2020

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December 2019

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November 2018

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December 2017

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November 2015

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December 2014

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July 2014

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June 2013

May 2011

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October 2010

September 2010

September 2010

© 2020 by Nicola Chang

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