Award-winning composer/sound designer for theatre (plays), film, audio dramas and commercial media from Hong Kong, now currently based in London.
Selected theatre credits include:
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy (Apollo Theatre/Royal Court Jerwood Downstairs/New Diorama), My Neighbour Totoro (RSC/Barbican), Kerry Jackson (National Theatre), Top Girls (Liverpool Everyman), Of the Cut (Young Vic), The Ministry of Lesbian Affairs (Soho Theatre), Macbeth (Leeds Playhouse), All Mirth and No Matter (RSC), Dziady/Forefather's Eve (Almeida Theatre), Little Baby Jesus (Orange Tree Theatre), White Pearl (Royal Court Jerwood Downstairs), Miss Julie (Chester Storyhouse), The King of Hell’s Palace (Hampstead Theatre), The Death of Ophelia (Shakespeare’s Globe), Funeral Flowers (UK Tour/Camden Roundhouse/Hackney Empire), Invisible Harmony (Southbank Centre), Wild Goose Dreams (Theatre Royal Bath), Summer Rolls (Park Theatre), 15 Heroines (Jermyn Street Theatre/Digital Theatre), The Tempest (Orange Tree Theatre/JMK), From Shore to Shore (Manchester Royal Exchange/UK Tour), No Man's Land (Square Chapel Halifax), A Hundred Words for Snow (Arcola Theatre).
Selected film credits include:
Mei (Sundance 2022), Baked Beans (2022), Twitching (2022), The Fight in the Dog (2022), The Bicycle (2022), Devi (2022), IRL (2021), LAID (2021), Getting Away with Murder(s) (2021), Seafruit (2020), A Dose of Happiness (2019), Boundaries (2019), You Wouldn't Adam and Eve It (2019), Postcards from the 48% (2018) and The Perfect Dinner (2017)
Awards and nominations:
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Composition/Sound Design
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British Podcast Awards – Best Fiction Podcast: Fully Amplified (silver)
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Evening Standard Future Theatre Fund – Audio Design (co-winner)
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Off West-End Awards – Sound Design: Little Baby Jesus (nominee)
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Off West-End Awards – Sound Design: Finishing the Picture (nominee)
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Off West-End Awards – Sound Design: Nine Foot Nine (nominee)
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Musical Direction
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BroadwayWorld UK/West End Awards – Musical Director: The Ministry of Lesbian Affairs (nominee)
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Performance
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Hong Kong Percussion Centre Trophy
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Elizabeth Verveer Tishler Prize in Music Performance
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As a theatre performer, I've played in Fantastically Great Women Who Changed the World as Assistant MD/Keys 2/Percussion, and have played in Six the Musical (West End) as deputy MD/Keys 1. I am also a former cast member of STOMP! (West End/World Tour).
As an orchestral percussionist, I have played with the Chineke! Orchestra, the Women of the World Orchestra and the London Film Music Orchestra and at venues such as the Royal Albert Hall, the Royal Festival Hall and the Shakespeare’s Globe.
I also work in audio plays and radio drama: I co-created the audio work Mooncake with Isabella Leung as part of 45North's "Written on the Waves" programme in 2021, and co-created Sonic Phở with Anna Nguyen in 2022. My work on the "Fully Amplified" Podcast Series for Futures Theatre was awarded Silver at the British Podcast Awards in 2022.
In 2021, I scored the short film LAID, which won Best Sci-Fi at Cannes Shorts and was an official selection at the New York Film Festival. In January 2019 I premiered my Concerto for Ping Pong and Piano Trio at the Queen Elizabeth Hall. This concerto was performed in Shanghai later in the year. In 2017, I conducted the London Film Music Orchestra playing my original soundtrack to The Perfect Dinner, accompanied by a live screening of the film.
I work with a variety of theatre and dance companies, including the National Youth Ballet, British Youth Musical Theatre, National Youth Theatre, Rambert and House of Absolute. I was the Composer/Sound Designer on the 2020/21 Old Vic 12 cohort and a current BAFTA Connect Member (Film Composer).
Photo by Ben Wulf Photography
Press
“12 theatre faces to look out for in 2020” in WhatsOnStage, 27 December 2019
Full feature in The Stage, 4 September, 2018
"accompanied by an evocative soundtrack by Nicola Chang, time seems almost suspended. It’s a tremendous production, balancing beauty and brutality, and bringing fresh poignancy to Strindberg’s masterpiece."
★★★★★ The Stage on Miss Julie
https://www.thestage.co.uk/reviews/2020/miss-julie-review-at-storyhouse-chester-vital-timely-adaptation-of-strindbergs-play/
“Sound is another important factor in For Black Boys… with an inspired use of music interspersing the action. [As] a play where sound and music are a key part, sound designer and composer Nicola T. Chang brings these together remarkably, with sound also working well with the movement to bring characters back into reality.”
★★★★★ All That Dazzles on For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
“Almost like a seventh character, the significance of music in this choreopoem, really deserves a separate review”
★★★★★ Afridiziak News on For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
“Flawless soundtrack.”
★★★★★ The Spy in the Stalls on For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
https://thespyinthestalls.com/2022/04/for-black-boys/
“Nicola T. Chang’s sound design and music is woven into the show well”
★★★★½ Mark Aspen on For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
https://markaspen.com/2023/04/02/black-boys/#more-14225
"Nicola T Chang’s driving score evokes the 1980s setting while adding to the play’s unsettling, dreamlike atmosphere with heavily distorted samples from synth-pop hits throbbing through the scene changes."
★★★★ The Stage on Top Girls
https://www.thestage.co.uk/reviews/top-girls-review-caryl-churchill-everyman-playhouse-liverpool
"Nicola T Chang’s sound design is particularly notable in the opening moments, underscoring a war zone with a blend of pounding contemporary and Elizabethan music."
Always Time for Theatre on Macbeth
https://alwaystimefortheatre.com/2022/03/06/review-macbeth-leeds-playhouse/
"From the opening pre-show soundscape and first glimpse of the striking open set on the large Quarry stage, there’s a powerful sense of grandeur and spectacle, with Nicola T Chang’s filmic electronica sound design underscoring the action energetically."
British Theatre Guide on Macbeth
https://www.britishtheatreguide.info/reviews/macbeth-the-quarry-lee-20716
"Cleverly-worked, grating jazz-based sound design from Nicola Chang."
★★★★★ ActDrop on Finishing the Picture
https://actdrop.uk/reviews/review_listing?id=6430
"The ultimate elevation of the show comes in the shape of sound designer Nicola Chang, who sets the second act to a jazz tune."
★★★★ Broadway World on Finishing the Picture
"... the almost visionary second half comprises a series of duets for voice and jazz combo. The sax in sound designer Nicola Chang’s unsettling jazz track rises to hysterical crescendos, conjuring Kitty fighting her corner."
★★★★ The Jewish Renaissance on Finishing the Picture
http://www.jewishrenaissance.org.uk/blog/reviews-theatre-finishing-the-picture
"...the second act propels Finishing the Picture into another league. Essentially a series of monologues with each character attempting to converse with Kitty, a pulsating cymbal jazz beat from sound designer Nicola Chang brings with it a sense of urgency, the occasional trumpet howl substituting for cries of despair from the unseen Kitty."
★★★★ The Reviews Hub on Finishing the Picture
https://www.thereviewshub.com/finishing-the-picture-finborough-theatre-london/
"Her responses are conveyed through the anarchic riffs of an expressive sax behind which a hectic snare skits to hepped-up time. Its effect is unsettling and submerges the audience in the frantic rhythms of Kitty’s own mental whir – something words alone can’t quite convey."
★★★★ The Arts Desk on Finishing the Picture
"Sound (is) used exceptionally well during the second act. Throughout the delivery of the monologues, a high tempo, almost manic, jazz piece plays, conveying a sense of urgency."
★★★★ The Spy in the Stalls on Finishing the Picture
https://thespyinthestalls.com/2018/06/finishing-the-picture-finborough-theatre/
"A skilful use of music and sound."
★★★★ The Express on Finishing the Picture
"(The) production becomes more interesting in the second act, in which the red walls take on the mood of a madhouse and Nicola Chang’s discordant sound design speaks on Kitty’s behalf in response to her colleagues’ attempts to reason with her."
The Stage on Finishing the Picture
"Lighting and sound design by Natasha Chivers and Nicola Chang [...] play a huge role in creating the almost sterile nature of this "fun-loving" office."
★★★★★ Within Her Words on White Pearl
https://www.withinherwords.co.uk/home/white-pearl-by-anchuli-felicia-king
"Nicola Chang’s electropop interludes match the too-bright office beat for beat."
Exeunt Magazine on White Pearl
http://exeuntmagazine.com/reviews/review-white-pearl-royal-court-theatre/
"The technical team also satisfies the strictest spectators when it comes to lightning, music, costumes, stage management…. helping to build up the urgency of the story."
Alt A Review on White Pearl
https://alt-africa.com/2019/05/20/review-white-pearl-at-royal-court-theatre/
"Nicola Chang’s sound design is reminiscent of the works of Edgar Wright, including one specific Scott Pilgrim-esque moment. It’s startling just how assured it is – unforgivingly funny, rapidly paced and minutely observed."
★★★★ The Upcoming on Little Baby Jesus
https://www.theupcoming.co.uk/2019/10/23/little-baby-jesus-at-orange-tree-theatre-theatre-review/
"Nicola Chang's sound design [...] compliments the ebb and flow of the production, with an inventive soundtrack of loud music and subtle sound effects."
★★★★ Broadway World on Little Baby Jesus
“Nicola Chang’s choice sound effects are a delight – little pings, zings, and boings, all bouncing off various actions like comic book onomatopoeia. It’s all gorgeously playful, refreshingly ready to entertain.”
Exeunt Magazine on Little Baby Jesus
https://exeuntmagazine.com/reviews/review-little-baby-jesus-orange-tree-theatre/
"Nicola Chang's Sound Design crossed with Sundeep Saini's Choreography, was an absolute mastermind spectacular..."
★★★★★ Creative Reviews UK on Squad Goals
https://creativereviewsuk.blogspot.com/2020/09/thestre-review-squad-goals.html?m=1
"The technical aspects of the play are spot on, too. The lighting, sound and set are so cleverly pieced together to string separate snippets of a family’s life that the general public are rarely exposed to."
★★★★★ The Feminist Fringe on Dangerous Giant Animals
https://feministfringereviews.wordpress.com/2018/08/22/review-dangerous-giant-animals-amy-king/
“The soundscape contributed efficiently to the atmosphere of anxiety [...] the show was aiming for. Mostly consisting of disjointed noise and recycled train announcements it was a small but hugely beneficial addition. The sound design in many ways leads to the gradual unravelling of the story, providing insight into the story’s geography as well as the state of Harper’s character’s mind.”
★★★★★ London Student on Rattled
"Sound design from Nicola Chang ebbs and flows with the story..."
★★★★★ London Pub Theatres on Rattled
http://www.londonpubtheatres.com/rattled-review/4594548124
"The two actors work well to maintain the sinister atmosphere, helped by the foreboding sound design."
★★★★ ½ The Reviews Hub on Kompromat
https://www.thereviewshub.com/kompromat-the-vaults-london/
"Nicola Chang (Composer and Sound Designer) has a strong influence on proceedings, helping a stage with essentially no set or props to feel full and greatly atmospheric at the appropriate times. The music works well to give the feel of the change in setting and character for each actress."
Mark Aspen on 10
https://markaspen.wordpress.com/2019/03/19/10/
“Nastazja Somers’ production is high on atmosphere, Nicola Chang’s almost hypnotic sound design moulding the mood.”
★★★★ There Ought to be Clowns on 10
https://www.oughttobeclowns.com/2019/03/review-10-vault-festival.html/
"Director Nastazja Somers has created a strong framework on which to base the strands of the women’s stories and the music, sound and lighting, by Nicola Chang and Rajiv Pattani, support and complement the action beautifully."
★★★★ The Spy in the Stalls on 10
https://thespyinthestalls.com/2019/03/10/
"[...] moving acoustic score by Nicola Chang compliments the emotional weight of the short perfectly."
★★★★ UK Film Review on Mei
https://www.ukfilmreview.co.uk/post/mei-2022-short-film-review
"Nicola Chang's original music is simply extraordinary, a quiet companion to an intimate story and one that surrounds us as we travel along Mei's journey. It's the kind of score that makes you anxious to hear other work by Chang."
The Independent Critic on Mei
https://theindependentcritic.com/mei
"Beautifully directed by Bethany Pitts, the exuberant tennis match conversations are balanced against beats of silence and lively music by Nicola T Chang."
★★★★ The Guardian on Juniper and Jules
https://www.theguardian.com/stage/2022/may/09/juniper-and-jules-review-this-funny-and-sweet-romance-is-a-must-see
"Sound by Nicola T Chang is key in giving the pace a [...] kick at times."
Broadway World on Juniper and Jules
https://www.broadwayworld.com/westend/article/BWW-Review-JUNIPER-AND-JULES-at-Soho-Theatre-20220506
"Nicola T Chang’s sound design spins the songs... into more richly textured versions for the transitions."
The Stage on Ministry of Lesbian Affairs
https://www.thestage.co.uk/reviews/the-ministry-of-lesbian-affairs-soho-theatre-london-iman-qureshi-review
"Nicola Chang’s sound design works well to immerse the audience within the lives of the characters, a mix of club and grime songs dominating some scenes and gently underscoring others."
★★★★★ Within Her Words on If This is Normal
"Loud conversation is accompanied by competingly loud sounds and music..., [which] capture the mood of different scenes remarkably well and is incredibly evocative."
★★★★ The Spy in the Stalls on If This is Normal
https://thespyinthestalls.com/2020/02/if-this-is-normal/
"It’s a great experience, wonderfully enhanced by the evocative soundscapes of Nicola T. Chang who seems to be the “go to” person forthis type of thing."
2ndfrombottom on Attack of the Wolfdogs
https://2ndfrombottom.wordpress.com/2021/12/09/attack-of-the-wolfdogs-online-review/
“Nicola Chang’s evocative soundscapes are a major success point in all three pieces; they help the listener’s imagination to take flight and demonstrate the power of aural memories.”
★★★★ 2ndfromBottom on Digital Caravan Theatre Series
https://2ndfrombottom.wordpress.com/2020/10/19/digital-caravan-theatre-series-2-online-review/
"An undoubted success, though, is the always creative sound design of Nicola Chang who often makes these pieces sing."
2ndfromBottom on Digital Caravan Theatre - Our Voices Series
https://2ndfrombottom.wordpress.com/2023/01/20/our-voices-review/
"All three episodes are worth attention and have cleverly used a new format to engage the listener fuelled by the impeccable sound design of Nicola Chang."
2ndfromBottom on Fully Amplified Podcast Series
https://2ndfrombottom.wordpress.com/2021/10/05/fully-amplified-1-online-review/
"There's a first-rate soundscape from designer Nicola Chang that appropriately underscores the piece, progressing from an almost imperceptible hum that builds in line with Ashley's anxiety and Ollie's excitement and, later, anger."
★★★★ ActDrop on Germ Free Adolescent
https://actdrop.uk/reviews/review_listing?id=8767
“Nicola Chang's sound design offers a pulsating background drone that works well in drawing us into the world of teenage angst that Mitchell has established.”
Broadway World on Germ Free Adolescent
https://www.broadwayworld.com/westend/article/BWW-Review-GERM-FREE-ADOLESCENT-The-Bunker-20191103
"There is a beautiful uniqueness to Tuyen Do’s play. It is full of Vietnamese expressions and culture (...) elevated by the stunning set by Moi Tran and sound by Nicola Chang."
★★★★ The Upcoming on Summer Rolls
https://www.theupcoming.co.uk/2019/06/25/summer-rolls-at-park-theatre-theatre-review/
"Nicola Chang’s sound design captures both cultures in her evocative score."
The Gizzle Review on Summer Rolls
http://www.thegizzlereview.com/2019/06/summer-rolls-park-theatre.html
"Nicola Chang’s sound design is fluid, unifying and atmospheric, conveying both the mood of Vietnamese culture and the tension of the scenes."
A Younger Theatre on Summer Rolls
https://www.ayoungertheatre.com/review-summer-rolls-bristol-old-vic/
"Sound designer Nicola Chang creates a telling mix of Vietnamese pop and evocative instrumentation."
The Arts Desk on Summer Rolls
https://theartsdesk.com/theatre/summer-rolls-park-theatre-review-racism-laid-bare-mixed-results
"Nicola Chang amps up the underlying anxiety with an assertive sound design that accompanies the couple through all the signs of toxic co-dependency and emotional abuse."
★★★★ Broadway World on Starved
https://www.broadwayworld.com/westend/article/BWW-Review-STARVED-The-Hope-Theatre-20190719
“The space is dingy and claustrophobic. Nicola Chang provides a dull, ominous underscore that plays throughout, adding to the anxiety.”
★★★★ The Crumb on Starved
https://www.the-crumb.com/post/review-starved-the-hope-theatre
"Strong movement direction (...) underscored by Nicola Chang’s resonant slow-tempo sound design, beautifully illustrate(s) the passage of time"
The Stage on Starved
https://www.thestage.co.uk/reviews/2019/starved-review-hope-theatre/
"The acting space (is) made vibrant by Nicola Chang’s pounding score."
★★★★ Musical Theatre Review on No Man's Land
"Stupendous sound design from Nicola Chang evoke(s) a world changing out of all recognition."
★★★★ The Wee Review on Nine Foot Nine
https://theweereview.com/review/nine-foot-nine/
“Nicola Chang’s brilliant sound design effectively [...] conveys magnitude [...] providing context to global events happening outside the play’s narrative, which is focused on a singular family.”
The Play's the Thing on Nine Foot Nine
https://theplaysthething.co.uk/2019/07/03/nine-foot-nine-home-manchester-theatre/
"The... impressive lighting and sound (from Ben Jacobs and Nicola Chang respectively) transforms an essentially empty stage into something incredibly atmospheric and menacing."
★★★★ Stage Review on Lord of the Flies
http://www.stagereview.co.uk/theatre-review/lord-of-the-flies-review-2/
"This stage adaptation of Lord of the Flies is made emotional and thought-provoking by the unified strength of the performances, music, lighting and choreography."
★★★★ Everything Theatre on Lord of the Flies
http://everything-theatre.co.uk/2018/03/lord-of-the-flies-greenwich-theatre-review.html
"Mention must also be given to Nicola Chang’s smart, appropriate and seriously atmospheric sound design."
★★★★ The Review Chap on An Enemy of the People
“Nicola Chang (provides) the scarily authentic soundtrack of angry townsfolk at that public meeting.”
★★★★ The Jewish Renaissance on An Enemy of the People
https://www.jewishrenaissance.org.uk/blog/an-enemy-of-the-people
“Nicola T Chang’s sound design is […] stunning and perfectly executed, timed perfectly to make slick transitions. There is a consistent style of music and sound throughout and locations of clubs and cafés are suggested purely through its use.”
★★★★ A Younger Theatre on Andromeda
https://www.ayoungertheatre.com/review-andromeda-camden-peoples-theatre/
"With a brilliant underscore permeating every moment of the show and well-timed moments of both beauty and horror, this show is far from poisoned; its salubrious."
★★★★ Pocket Size Theatre on Poisoned Polluted
http://www.pocketsizetheatre.com/2019/11/review-poisoned-polluted-at-old-red-lion.html?m=1
"Sound (Nicola Chang) was very well designed and congruous with the performance. On the whole, theatrical components were more than satisfactory."
Theatre Reviewer Blog on Poisoned Polluted
"“Composer and celebrated sound designer Nicola T Chang ensures the sound really is seamless as well as boppy, proportioned to the space.”
FringeReview on 30 and Out
http://fringereview.co.uk/review/brighton-fringe/2023/30-and-out/
"As usual the sound design by Nicola Chang is exceptional. At first you don’t notice how she regulates the intensity of street noise outside the hotel window to help ratchet up the tension but, half way through, her chillingly ominous door locking sound is the first indication we get that this isn’t just two guys chatting about writer’s block and nice clothes."
London Box Office on For Reasons that Remain Unclear
https://www.londonboxoffice.co.uk/news/post/review-for-reasons-that-remain-unclear
“Nicola Chang’s sound design is piercing and unforgiving. Combined with Will Monks’ sharp projections on a pane of glass, they create a
sense of a society at breaking point."
The Stage on The Glass Will Shatter
"Nicola T Chang’s sound design, a low mechanical hum interrupted by persistent percussive beats, adds tension in just the right places."
The Reviews Hub on Worth
https://www.thereviewshub.com/worth-arcola-theatre-london/
"The siblings’ emotionally violent underpinnings are more effectively underlined by brief moments in which the sound rises and distorts."
The Times on Worth
https://www.thetimes.co.uk/article/worth-review-a-dark-family-comedy-turns-toxic-3sz0qxhtw
"Nicola Chang’s sound design had me on edge in places, really reinforcing the experience we are seeing on stage"
View from the Outside on The Glass Will Shatter
https://viewfromtheoutside.blog/2020/01/29/the-glass-will-shatter-at-the-omnibus-theatre/
“A singular drum and a piercing train whistle [reach] crescendo during the play's emotional climaxes… Nicola Chang's deft sound design has much to offer.”
WhatsOnStage on The King of Hell’s Palace
https://www.whatsonstage.com/london-theatre/reviews/hells-palace-hampstead-cowhig_49886.html
"Nicola Chang’s sound design [is] subtle and sophisticated"
ThisWeek Culture on Algorithms
https://threeweeksedinburgh.com/article/algorithms-sadie-clark-laura-elmes-productions/
"The intensity of Felicity’s panic attacks is infectiously communicated through Nicola Chang’s sound design, an unsettling soundscape of buzzing, clicking, whispering and ring tones."
BritishTheatre.com on Lost in Thought
https://britishtheatre.com/review-lost-in-thought-edinburgh-fringe/
"The fusion of American and Indian cultures is imprinted on Robbie Butler’s projection and seeps through Nicola Chang’s sound design"
Miro Magazine on There or Here
http://www.miromagazine.com/theatre/review-park-theatre-nayak/
Credits/Upcoming Projects (updated June 2023)
Selected Credits
The Real and Imagined History of the Elephant Man by Tom Wright (Peter Hall Award/Nottingham Playhouse)
The Swell by Isley Lynn (Orange Tree Theatre, London)
A Playlist for the Revolution by AJ Yi (Bush Theatre, London)
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
by Ryan Calais Cameron (Apollo Theatre, West End)
Top Girls (Liverpool Everyman)
Sound of the Underground (Jerwood Downstairs, Royal Court)
Kerry Jackson by April De Angelis (Dorfman Theatre, National Theatre)
My Neighbour Totoro (RSC/Barbican)
Of the Cut by Yasmin Joseph & Company (Young Vic Theatre)
The Ministry of Lesbian Affairs by Iman Qureshi (Main House, Soho Theatre)
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
by Ryan Calais Cameron (Jerwood Downstairs, Royal Court)
Macbeth (Leeds Playhouse, Leeds)
All Mirth and No Matter (RSC)
Dziady/Forefather’s Eve by Adam Mickiewicz (Almeida Theatre)
Fake Melania by Poppy Corbett (Old Vic 12 @ Shoreditch Town Hall)
Jineolojî by Nessah Muthy (Old Vic 12 @ Shoreditch Town Hall)
Gobble Gobble Gobble Gobble Gobble Goblin by Tim Foley (Old Vic 12 @ Shoreditch Town Hall)
Miss Julie adapted by Amy Ng (Chester Storyhouse)
Funeral Flowers by Emma Dennis-Edwards (Roundhouse Camden/Hackney Empire)
Wild Goose Dreams by Hansol Jung (The Ustinov, Theatre Royal Bath)
Little Baby Jesus by Arinzé Kene (Orange Tree Theatre)
The Ice Cream Boys by Gail Luow (Jermyn Street Theatre)
The King of Hell’s Palace by Frances Ya-Chu Cowhig (Hampstead Theatre)
Algorithms by Sadie Clark (Soho Theatre, London; Pleasance Edinburgh Fringe)
Death of Ophelia by Stanislaw Wyspianski (Shakespeare’s Globe)
Summer Rolls by Tuyen Do (Park Theatre, London; Bristol Old Vic)
White Pearl by Anchuli Felicia King (Jerwood Main Theatre, Royal Court)
The Tempest by William Shakespeare (Orange Tree Theatre)
Director: Stephen Bailey
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Director: Hannah Hauer-King
Director: Emily Ling Williams
Directors: Ryan Calais Cameron & Tristan Fynn-Aiduenu
Director: Suba Das
Director: Debbie Hannan
Director: Indhu Rubasingham
Director: Phelim McDermott
Director: Philip J. Morris
Director: Hannah Hauer-King
Directors: Ryan Calais Cameron & Tristan Fynn-Aiduenu
Director: Amy Leach
Director: Aaron Parsons
Director: Nastazja Domaradzka
Director: Hannah Joss
Director: Milli Bhatia
Director: Maddy Moore
Director: Dadiow Lin
Director: Jessica Edwards
Director: Michael Boyd
Director: Tristan Fynn-Aiduenu
Director: Vik Sivalingam
Director: Michael Boyd
Director: Maddy Moore
Director: Nastazja Domaradzka
Director: Kristine Landon-Smith
Director: Nana Dakin
Director: Imogen Bond
Aug/Sep 2023
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June 2023
June 2023
March/April 2023
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Feb/March 2023
Jan 2023
Nov/Dec 2022
Sept/Oct 2022
July/August 2022
April/May 2022
March/April 2022
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Feb/March 2022
July 2021
May 2021
April 2021
March 2021
March 2021
Jan/Feb 2020
January 2020
Oct/Nov 2019
October 2019
Sep/Oct 2019
Aug/Sep 2019
July 2019
July 2019
June 2019
June 2019
April/May 2019
Other Credits
Garden of Words adapted by Whole Hog Theatre (Park Theatre, London)
Summer Camp for Broken People by Emily Beecher (Pleasance Theatre/Edinburgh Fringe)
30 and Out by Kit Sinclair (Brighton Fringe/Edinburgh Fringe)
DNA by Atiha Sen Gupta and Tara Theatre Young Company (Tara Theatre, London)
Worth by Joanne Lau (Arcola Theatre, London/Chester Storyhouse)
If Only You Knew by Wendy Wong
Echo Land by Tuyet Van Huynh, Natalie Linh Bolderston and Daniel Phung (Rich Mix)
What’s in Your Head by Young Vic Neighbour Theatre
A Hymn to Creativity by Young Vic Neighbourhood Theatre
Home by Abi Zakarian (Caravan Theatre Our Voices Project)
Finding Polly by Emma Dennis-Edwards (Caravan Theatre Our Voices Project)
Chicken Shop Love by Tanya Loretta Dee (Caravan Theatre Our Voices Project)
Pieces by Lilly Driscoll (Caravan Theatre Our Voices Project)
A Hymn to Creativity with Young Vic Taking Part
harmony· 天人合一 (Pleasance Futures Festival)
Taking Part: Social Issues Podcast by Young Vic Neighbourhood Theatre
Theatre Royal Stratford East Future Leaders Project
Slippy Maggie by Miranda Langley
Stories from the Stalls by Young Vic Neighbour Theatre
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Digital Greeks by E.V. Crowe, Vanessa Kisuule & Alexandra Wood (Unicorn Theatre)
Yoga for the Feet by Tilly Lunken
work, harmony (天人合一) (Royal Victoria Dock)
Sonic Phở by Anna Nguyen
DOLLY by Chantelle Dusette (Park Theatre, London)
Baked Beans by Sid Sagar (BFI Network Short Film Slate)
Mei by Barbara Vonau, Cat Watson and Leanne Bailham
My Brother’s Keeper by Tobore Dafiaga
Juniper & Jules by Stephanie Martin (Soho Theatre Upstairs, London)
The Fight in the Dog (Royal Academy of Dramatic Art)
Bicycle (Royal Academy of Dramatic Art)
Sermons of the Sea by Julia Cheng and Leeroy New (Somerset House, London)
Devi देवी by Hannah Kumari (Sky Arts Unlocked)
Donmar Warehouse Take the Stage: Force Majeure with UCL Academy School
Twitching by Maddy Moore
Level Up with Rambert Young Company
Fracture Mechanics by Hester Styles Vickery
I am Bird by Marie Klimis (Farnham Maltings)
We Are Shadows – Liverpool Chinatown (Tamasha Theatre Company)
When This is Over (Company Three/Unicorn Theatre, London)
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
by Ryan Calais Cameron (New Diorama Theatre, London)
Anti-metropolis by Tallulah Howarth
Summer of Love (Hightide Theatre Company)
Andromeda by Hannah Greenstreet (Camden People’s Theatre, London)
Attack of the Wolfdogs by Nigel Barret, Louise Mari and Nicola T. Chang (Unicorn Theatre)
Still Gay As Hell by babirye bukilwa
Black Mermaids by Tanya Loretta Dee
When Two Armenians Meet by Abi Zakarian
Not Just Two People in Love by Marinella Mezzanotte
Waiting For an Excuse to Turn by Ava Wong Davies
Mooncake by Nicola T. Chang and Isabella Leung (45 North)
V&V by Misha Pinnington (Omnibus Theatre)
Omnibus Young Company (Omnibus Theatre)
All the Things by DK Fashola (Arts Ed, London)
Second Hand Child by Rebecca Solomon (Sheffield Crucible)
In Her Strength presented by Vicky Moran and Claire Gilbert (Camden People’s Theatre)
Macbeth by William Shakespeare (Orange Tree Theatre, London)
Romeo and Juliet by William Shakespeare (Orange Tree Theatre, London)
Fib by Annie Williams
Curse of the Crackles by Bea Roberts (Shoreditch Town Hall) - assistant to Ben Ringham
IRL by Katie Bonna (Royal Academy of Dramatic Art)
Chang and Eng and Me (and Me) by Tobi Poster-Su
Deborah by Maud Dromgoole
LAID by Bernadette Davis (RADA)
The Emperor's New Clothes (an Unfairytale) by Olivia Mace
The Panto-logues by Rachel Barnett-Jones
Behind Closed Doors by 27 Degrees (Harrow Arts Centre)
MACBETH (Central School of Speech and Drama)
SUBURBS (Central School of Speech and Drama)
Wow! I Feel Nothing by Nicola Maclean
Belly of the Wolf by Alexandra Wood
Oenone to Paris by Lettie Precious (“15 Heroines” at Jermyn Street Theatre)
Deianaria by April De Angelis (“15 Heroines” at Jermyn Street Theatre)
Will You? By Sabrina Mahfouz (“15 Heroines” at Jermyn Street Theatre)
Hypermnestra by Chinonyerem Odimba (“15 Heroines” at Jermyn Street Theatre)
Pity the Monster by Timberlake Wertenbaker (“15 Heroines” at Jermyn Street Theatre)
Medea by Juliet Gilkes Romero (part of “15 Heroines” at Jermyn Street Theatre)
water by babirye bukilwa
RAGE by Chloe Todd Fordham
A Few Minutes with Ruth Belville (and Rose) by Jessica Butcher
White Lies by Tom Wright (Arts Ed, London)
Sirens by Tom Wright (Arts Ed, London)
Squad Goals by Michelle Payne (Dagenham and Redbridge FC Football Stadium)
English National Youth Ballet Choreographic Competition
Clapped by Abi Zakarian (Giffin Square, Deptford, Lewisham)
September Skies by Jessica Butcher
Enough by Abi Zakarian
Spirit of Carnival by Emma Dennis-Edwards
Circle Game by Sophie Swithinbank
Fear & Misery of the Third Reich by Berthold Brecht (OSD Showcase, Playground Theatre)
Moment of Grace by Bren Gosling
WeRNotVirus by Moongate Productions (Omnibus Theatre, London)
MONSTER by Jack Whitney
MUM by Juliet Cowan (Playground Theatre, London)
Invisibles by Lola Lagos (VAULT Festival 2020)
Freedom High 自由閪 (VAULT Festival 2020)
V&V by Misha Pinnington (VAULT Festival 2020)
If This is Normal by Lucy Danser (VAULT Festival 2020)
Spy Plays by David Thame (Above the Stag Theatre, Vauxhall London)
Overheard by Joel Tan (Chinese Arts Now Festival)
Vegan Gluten Free by Lucia Tong (Soho Theatre)
Hidden in Screen 无形的和谐 by Daniel York Loh (Purcell Room, Southbank Centre)
Tin Hau Temple 天后廟 Promotional Video for JA Design Architects Ltd.
Seafruit by Alexander Darby
The Glass Will Shatter by Joe Marsh (Omnibus Theatre, Clapham)
Fracture/d Frame/s by Motion Dance Collective
Getting Away with Murder by David Wilkinson
Poisoned Polluted by Kathryn O’Reilly (Old Red Lion Theatre, London)
Germ Free Adolescent by Natalie Mitchell (Bunker Theatre, London)
Concerto for Ping-Pong and Piano Trio (International Ping Pong Festival, Shanghai, China)
Kensington Karavan Short Play Festival by Small Truth Theatre
ANAHERA by Emma Kinane (Finborough Theatre, London)
Collapsing Creation by Arthur Meek (Brockley Jack Theatre)
Extinction – BYMTUK Dance Connections 5 (Rhoda McGaw Theatre)
If This is Normal by Lucy Danser (Zoo Venues, Edinburgh Fringe)
Starved by Michael Black (Hope Theatre, London)
Wonder Winterland by Sami Ibrahim (OSD Showcase at Soho Theatre)
Wherever You Find Me by NoFixdAddress (Actor’s Centre, London)
Trying to Find Me by Ann Akin (PULSE Festival/Latitude)
Boundaries by Danielle Saunders
You Wouldn’t Adam and Eve It by Lauren Rutherford
Pool (no water) by Mark Ravenhill (OSD Showcase at the Royal Court)
Lord of the Flies by William Golding (Greenwich Theatre, London)
10 by Lizzie Milton (VAULT Festival 2019)
Dangerous Giant Animals by Christina Murdock (VAULT Festival 2019)
CEEC by Lemon Animatic for China Energy Engineering Corporation
From Shore to Shore by Mary Cooper (Manchester Royal Exchange/UK Tour)
RATTLED by Rachel Harper (Old Red Lion Theatre, London)
Pool (no water) by Mark Ravenhill (Oxford School of Drama)
The Moon is Warmer than the Sun by Whiskey Chow (Artsadmin, London)
Inside Voices by Nabilah Said (VAULT Festival 2019)
Juniper and Jules by Stephanie Martin (VAULT Festival 2019)
Kompromat by David Thame (VAULT Festival 2019)
Bounce Beat (Queen Elizabeth Hall, Southbank Centre)
Just Shenzhen by Lemon Animatic for Shenzhen Government
An Enemy of the People by Arthur Miller (Union Theatre, London)
The Snow Queen by The Theatre Shed Community Theatre
All That Scratch by Alex Jackson and Charlie Norburn (The Other Palace)
How to Bury Your Sins by Jessica Martin
Beauty and the Beast by Robyn Grant & Daniel Elliot (King’s Head Theatre)
High Ridin' by James Hogan (King's Head Theatre, London)
Pomegranate Season by Victoria Cano (Cockpit Theatre, London)
No Man’s Land – BYMTUK Dance Connections 4 (Square Chapel, Halifax)
Lost in Thought by Lucy Danser (Edinburgh Underbelly; Theatre 503)
For Reasons that Remain Unclear by Mart Crowley (King’s Head Theatre)
Dosa Shtastie [A Dose of Happiness] by Yana Titova
Dangerous Giant Animals by Christina Murdock (Tristan Bates Theatre, Edinburgh Fringe)
Free and Proud by Charles Gershman (King’s Head Theatre, Edinburgh Fringe)
Kensington’s Game Changer by SPID Theatre Company
Static by Tiiu Mortley (Talawa Firsts, Rich Mix)
Finishing the Picture by Arthur Miller (Finborough Theatre, London)
Fight Night by Giorgio Miroflor
Nine Foot Nine by Alex Wood (Bunker Theatre, Edinburgh Assembly)
The Free9 by In-Sook Chappell (National Theatre, London)
#metoo by Maris Salumets (Mix30, New York City)
Nyctophobia by Saurabh Fuke
Tom and Bunny Save the World by Fat Rascal Theatre
The Lord of the Flies by William Golding (Greenwich Theatre)
Postcards from the 48% by David Wilkinson
Breakfast with the Boss by Vox Media
There or Here by Jennifer Maisel (Park Theatre, London)
Dean by Sonya Hale (Arcola Theatre, London)
A Hundred Words for Snow by Tatty Hennessy (Arcola Theatre, London)
Woman Caught Unaware by Annie Fox (Arcola Theatre, London)
Strike It Lucky by Charlotte Griffiths
The Bullhorn Evangelist by Philip Holt (Stockwell Playhouse)
The Bearded Bloke by Danielus Gedvilas
Always Chasing Love by Jadolphus Fraser
Hole by Joe Belzberg
Lodgers by eCinema Live
The Community by Gaël van den Bossche (Lion and Unicorn Theatre)
Man Friday by Grey Paper Crane Productions
The Secret Life of Disney Princesses by The Hard Comedy
Connected by Bhanita Mistry-Russell
Ease on Down by The Motion Dance Collective
Stroke by Jiani Zhao & Emanuele Romano
Fragments by Oli Greck
The Oxnard EDD Shooting Massacre by Andrew Jimenez
Thirty-Three by Michael Booth (Leicester Square Theatre, West End London)
I Am Depression by Wazza Yadi
Man Friday (Trailer) by Grey Paper Crane Productions
Jumping Borders by Joseph Tindle
A Tribute to My Stupid Dad by Vijay Sridharan
The Perfect Dinner by Olesia Saveleva
Elements 101 by Remel Chinn
珠海華發藝術館 for JA Design Architects Ltd.
海口國際生命科學城 for JA Design Architects Ltd.
The Bird in the Window by Cameron Perry & Tulsi Behl
Divertimento for Chamber Orchestra
Vinyl Countdown by Henry Wright
樓蘭古城 for Joanlin Au Design Limited
YADA by Gbemisola Ikumelo
Alchemical Door #4 by ImmerCity (Babel Studios, London)
Horror Kittens by Daniel Sheridan
MAELSTRØM – BYMTUK/Ellis Kerkhoven (Lemon Tree Theatre, Aberdeen)
Alchemical Door #3 by ImmerCity (Babel Studios. London)
New Message (Trailer) by Matt Mrozek
All in Good Time by Patrick West
Marco and Polo by Iris Sunniva Inguito
Blood Will Have Blood by Clancy Flynn (Brighton Fringe Festival)
UNITY (Michael Jackson Tribute Album) by Tony Succar
New Message by Matt Mrozek
重慶溜冰場 for Rink Limited Hong Kong
The Alchemical Door #2 by ImmerCity (Babel Studios, London)
Short Piece for Quintet
The Alchemical Door #1 by ImmerCity (Babel Studios, London)
Five Short Pieces for Violin and Viola
The Den by Gbemisola Ikumelo
The Run by Libby Cornelssen
The Plague by Athena Chow
Lilt
Ohji’s Story by Oh Ji-Hyun
The Lark by Jean Anouilh (Rose Theatre, London)
256 Postcards Ago by Michelle Vinall
After Dessert by Tufts University Television
The Children’s Hour by Lillian Hellman
寧夏沙漠玫瑰酒店for JA Design Architects Ltd.
To the Caves for JA Design Architects Ltd.
Rise
mélange
走西口for Joanlin Au Design Limited
One Week by Jared Bronen
Chinese International School Dancer’s Showcase
Four Minute Warning by Henry Hsiao
Chant for Marimba
Bad Romance by Henry Hsiao
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Directed by full creative team
Director: Caroline Bryant
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Director: Caroline Bryant
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Directed by creative team
Director: Misha Pinnington
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Director: Bec Martin
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Director: Lakesha Arie-Angelo
Director: Yasmeen Arden
Director: Yasmeen Arden
Director: Yasmeen Arden
Director: Hannah Hauer-King
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Director: Nicola Allpress
Director: Anthony Lau, Jennifer Tang
Director: Jack Whitney
Director: Yasmeen Arden
Director: Nastazja Domaradzka
Director: Kim Pearce
Director: Misha Piinnington
Director: Helena Jackson
Director: Peter Darney
Director: Mingyu Lin
Director: Ray Malone
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Director: Alexander Darby
Director: Lilac Yosiphon
Director: Anna Clifford
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Director: Lucy Allan
Director: Grace Gummer
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Director: Yasmeen Arden
Director: Alice Kornitzer
Director: Jessica Jeffries
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Director: Helena Jackson
Director: Matthew Strachan
Director: Blythe Stewart
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Director: Ann Akin
Director: Pamela Jikiemi
Director: Pamela Jikiemi
Director: Hannah Hauer-King
Director: Ricky Dukes
Director: Nastazja Domaradzka
Director: Adriana Perucca
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Director: David Tse
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Director: Zhui-Ning Chang
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Musical Director
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Director: Jessica Martin
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Director:
Director: Rachel Birch-Lawson
Director: Helena Jackson
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Director: Peter Darney
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Director: Vik Sivalingam
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Director: Josh Hinds
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Director: Jadolphus Fraser
Director: Joe Belzberg
Director: Keni Ogunlola
Director: Josh Hinds
Director: Nemo Martin
Director: Mahmoud El-Azzeh
Director: Bhanita Mistry-Russell
Director: Omari Carter
Director: Jiani Zhao
Director: Oli Greck
Director: Andrew Jimenez
Director: Kai Raisbeck
Director: Wazza Yadi
Director: Nemo Martin
Director Joseph Tindle
Director: Vijay Sridharan
Director: Olesia Saveleva
Director: Remel Chinn
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Director: Gbemisola Ikumelo
Director: Rosanna Mallinson
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Director: Ellis Kerkhoven
Director: Rosanna Mallinson
Director: Matt Mrozek
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Director: Rosanna Mallinson
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Director: Matt Mrozek
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Director: Rosanna Mallinson
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Director: Rosanna Mallinson
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Director: Gbemisola Ikumelo
Director: Libby Cornelssen
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Director: Jared Bronen
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Director: Henry Hsiao
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Director: Henry Hsiao
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